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How Did The Microscope Change The World

(Fifty–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If y'all've ever taken an fine art history class or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, almost of what we learn about art history today withal centers on white men from Europe and, afterward, the Usa. In reality, there are so many more artists of all genders to learn from and appreciate.

Here, nosotros're specifically taking a look at but some of the women who have had lasting impacts on their art forms. From some of the art world's most iconic pioneers to its about unsung heroes, these women artists all had a hand — and, in some cases, withal have a hand — in irresolute the world of fine fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the work of painters similar Cézanne and Monet while away, she returned to the Us, condign all-time known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman'south Untitled Picture Stills (1977–fourscore). series. Photos Courtesy: Museum of Mod Fine art (MoMA)

Photographer Cindy Sherman was function of the Pictures Generation during the 1980s, and is perhaps near well known for her series of Untitled Moving picture Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female person motion picture characters, amongst them, ingénue, working daughter, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A notwithstanding from the performance Cutting Piece, 1964, and a picture show of the installation One-half-A-Room, 1967, equally seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might first think of Yoko Ono every bit a musician and activist, but she'due south also an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art motion, earning the nickname the "Loftier Priestess of the Happening".

One of her about revered works, Cut Piece, was a performance she first staged in Nippon; Ono sabbatum on phase in a nice accommodate and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come up on stage and cut abroad pieces of her clothing. "Art is similar breathing for me," Ono has said. "If I don't do it, I commencement to choke."

Betye Saar

Betye Saar's Black Girl's Window, 1969 (full and particular). Photos Courtesy: Museum of Modern Fine art (MoMA)

Earlier becoming a printmaker and activist, Betye Saar studied design and was employed every bit a social worker. A printmaking elective changed her unabridged career trajectory — and, in plough, part of the trajectory of art history.

Saar was part of the Blackness Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can go the viewer to look at a work of art, and then you might be able to give them some sort of message."

Frida Kahlo

People await at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from United mexican states, she is all-time known for exploring themes like death and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist move.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she's also known for her hyper-existent sculptures, polka dots, installations, and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which employ mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oft doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that y'all recognize Sherald's piece of work — and her signature grayscale skin tones — equally she was the starting time Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her serial, Pelvis Series Red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known equally the female parent of American modernism, y'all probable associate Georgia O'Keeffe with her paintings of New United mexican states's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the get-go adult female painter to gain the respect of the New York fine art world, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden King of beasts for best artist in Okwui Enwezor's biennial exhibition All the Earth's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her piece of work to question society, identity, and racial politics by demanding the audience to confront truths virtually themselves. She often challenged people on the streets of New York to gauge her race, socio-economic class, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her apparel.

Shirin Neshat

Shirin Neshat'south poses in front of a photograph in her exhibition Our Business firm Is on Burn at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study fine art in Los Angeles, California — before the Iran Islamic Revolution took identify. She is best known for her photography, film, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advertisement billboards, projects onto buildings and adds to electronic displays or neon signs.

These works brandish phrases that human activity as meditations on various concepts, such as trauma, noesis, and hope. 1 of her more notable works, I Smell You lot On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'south Fringe, 2008. Photograph Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. Every bit an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous Due north American civilisation. In 2005, she was the first Indigenous woman to stand for Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Conservative' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider higher up — which were inspired past her own experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when brainchild and conceptual fine art were the master styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Footling Taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop civilization and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'south seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Fine art movement. As exemplified in her iconic work The Dinner Political party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist fine art program in the U.s..

Augusta Vicious

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating scenic sculptures, often of Black folks, Savage founded the Roughshod Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modern Fine art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "body art". (Just await up her well-nigh famous piece of work, Interior Scroll, and you'll see what we hateful.) She used her body to examine women'due south sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal club.

Nan Goldin

Nan Goldin'due south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'due south work challenges traditional power relations. In addition to documenting New York Metropolis'southward queer subculture mail service-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'due south Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look similar an Andy Warhol to y'all? Well, that's the idea! Elaine Sturtevant, who went past her terminal proper noun professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-right copies of big-name artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite angry. Even so, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Young Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'due south last public committee was the Garden of Remembrance at San Francisco Land Academy, which was created to recognize Japanese Americans who were interned during World State of war II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of ix. She uses her photography to examine social norms, and, in doing and so, displays diverse subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and banana professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Honour from the Gender Justice League in 2016. She believes didactics is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Fine art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who likewise specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

Source: https://www.ask.com/culture/women-who-changed-world-of-fine-art?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex

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